For Malaysian artist Anne Samat (born 1973), expressing one’s inner truth without fear is a vital act of existence. Her elaborate, totem-like sculptures reflect this philosophy, brought to life through detailed weaving and carefully chosen materials. Each piece serves as a symbolic extension of her identity, imbued with rich symbolism to create intimate narratives and new personal mythologies.
Samat sees her practice as preservation, employing traditional techniques indigenous to Malaysia, called Songket, which originated in Kuala Lumpur, and Pua Kumbu, with origins in Sarawak, East Malaysia. By combining indigenous practices with mundane, mass-produced objects of today, such as tools, toys, dishware, and plastic trinkets, Samat’s sculptures transcend time, intersect history and modernization, and reflect both cultural memory and personal evolution.
In Malaysian culture, as in many others, weaving is traditionally seen as a feminine craft. Samat acknowledges this gendered perception and intentionally blends it with materials she associates with masculinity—like industrial objects—creating a dialogue that blurs and redefines gender roles. As a trans artist and activist, Samat channels her journey of self-acceptance and empowerment into her art, illustrating how embracing one’s true self can be a transformative and enduring act. Her sculptures become more than just objects; they are embodiments of selfhood.
Organized by the Ulrich Museum of Art. Curated by Jo Reinert, Curator of Modern and Contemporary Art.
Special thanks to Marc Straus Gallery. Our 2026 Spring exhibitions and associated programs are made possible by the generosity of members of Ulrich Friends with Benefits, whose ongoing support makes programming possible. The City of Wichita and Wichita State University provide funding support for the Ulrich’s general operations.
